Saraband

Queer sisterhood and collective power lie at the heart of this arresting Brazilian debut, in which a promising volleyball player faces an unwanted pregnancy.

A young, inexperienced substitute teacher is quickly confronted with the trials and tribulations of his job, in this wry tribute to the teaching profession.

A single mother fights to reclaim her children from foster care, in Delphine Deloget's powerful indictment of the French legal system.

An heiress returns to her uninhabited family manor to be confronted with the one-eyed caretaker who resides there, in the dreamlike take on La Belle et la Bête.

Part gripping thriller, part psychological study, Delphine Girard's debut feature about consent and modern society's attitudes to sexual violence.

Cédric Kahn (Roberto Succo, The Goldman Case) crafts this witty comedy about a troubled film shoot.

Ingmar Bergman’s best-known film is a brilliant allegorical drama starring Max von Sydow as a knight trying to elude his own death.

Bergman’s magisterial and sumptuous portrait of a 20th-century Swedish family, presented in its full-length TV version.

Ingmar Bergman’s sole film with his namesake Ingrid sees her as a famous concert pianist visiting her daughter, played by a third giant of Swedish film, Liv Ullmann.

Ingmar Bergman’s Cannes prize-winning comedy assembles various couples in a country house in 1900.

A dying woman (Harriet Andersson) is attended to in her rural mansion by her sisters, in Ingmar Bergman's vivid examination of the human soul.

A dying woman (Harriet Andersson) is attended to in her rural mansion by her sisters, in Ingmar Bergman's vivid examination of the human soul.

A nurse and an actress who refuses to speak seem to fuse identities in Ingmar Bergman’s disturbing, formally experimental psychological drama.

Ingmar Bergman’s sole film with his namesake Ingrid sees her as a famous concert pianist visiting her daughter, played by a third giant of Swedish film, Liv Ullmann.

A dying woman (Harriet Andersson) is attended to in her rural mansion by her sisters, in Ingmar Bergman's vivid examination of the human soul.

Bergman’s magisterial and sumptuous portrait of a 20th-century Swedish family, presented in its full-length TV version.

Ingmar Bergman’s sole film with his namesake Ingrid sees her as a famous concert pianist visiting her daughter, played by a third giant of Swedish film, Liv Ullmann.

Ingmar Bergman's excellent ensemble piece concerns a 19th-century mesmerist and a scientist and police chief out to discredit him.

A dying woman (Harriet Andersson) is attended to in her rural mansion by her sisters, in Ingmar Bergman's vivid examination of the human soul.

Bergman’s magisterial and sumptuous portrait of a 20th-century Swedish family, presented in its full-length TV version.

A nurse and an actress who refuses to speak seem to fuse identities in Ingmar Bergman’s disturbing, formally experimental psychological drama.

Ingmar Bergman’s sole film with his namesake Ingrid sees her as a famous concert pianist visiting her daughter, played by a third giant of Swedish film, Liv Ullmann.

Two sisters, one ailing, the other with her young son, check into a hotel in a foreign city readying itself for war, in Ingmar Bergman's nightmarish vision of emotional isolation.

The first part of Ingmar Bergman's 'Faith Trilogy', about a writer (Björnstrand) who joins his daughter, son and son-in-law on holiday, where tensions soon arise.

Queer sisterhood and collective power lie at the heart of this arresting Brazilian debut, in which a promising volleyball player faces an unwanted pregnancy.

A young, inexperienced substitute teacher is quickly confronted with the trials and tribulations of his job, in this wry tribute to the teaching profession.

A single mother fights to reclaim her children from foster care, in Delphine Deloget's powerful indictment of the French legal system.

Pierre Salvadori's cult 1995 comedy, starring François Cluzet and Guillaume Depardieu as two young adults searching for love and success.

An heiress returns to her uninhabited family manor to be confronted with the one-eyed caretaker who resides there, in the dreamlike take on La Belle et la Bête.

Part gripping thriller, part psychological study, Delphine Girard's debut feature about consent and modern society's attitudes to sexual violence.