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Men of Violence
Little MalcolmLittle Malcolm
Drama 1975 111 minsDirector: Stuart Cooper
Delusional revolutionary Malcolm Scrawdyke (John Hurt) leads his Party of Dynamic Erection in a battle against an unseen nemesis in this dark comedy.
Voice OverVoice Over
Drama 1982 108 minsDirector: Chris Monger
This disturbing and controversial psychological drama from award-winning director Christopher Monger features a compelling central performance from Ian McNeice.
The Black PantherThe Black Panther
Drama 1977 97 minsDirector: Ian Merrick
Gripping crime drama charts the killing spree which Donald Neilson, aka the Black Panther, perpetrated across England during the mid-70s.
The Body BeneathThe Body Beneath
Horror 1970 82 minsDirector: Andy Milligan
Vampires rampage around Hampstead in a strange, bloody cult horror by low-budget sex-gore auteur Andy Milligan.
Tomorrow Never ComesTomorrow Never Comes
Crime 1978 102 minsDirector: Peter Collinson
This tense, violent hostage drama stars Oliver Reed as a negotiator trying to barter the release of Susan George from her deranged partner.
The Forgotten FacesThe Forgotten Faces
Documentary drama 1961 19 minsDirector: Peter Watkins
A gripping newsreel style account of the 1956 peoples' uprising in Hungary directed by celebrated innovator of the docudrama form, Peter Watkins.
The Spy's WifeThe Spy's Wife
Drama 1971 28 minsDirector: Gerry O'Hara
Tom Bell stars in this short film about a spy's wife who shows herself to be rather adept at espionage, while her husband is away on a mission.
CapturedCaptured
War 1959 64 minsDirector: John Krish
Previously only shown to a restricted audience of top military brass from the Ministry of Defence, Captured is a stunning Prisoner of War drama.
RecluseRecluse
Crime 1979 29 minsDirector: Bob Bentley
Based on the true story of a tragic murder and suicide that took place on the Luxton farm in Devon in the 1970s.
The Last ChapterThe Last Chapter
Drama 1974 29 minsDirector: David Tringham
Dark tale in which a best-selling author (Denholm Elliot) is unbalanced by an assured young fan (Susan Penhaligon) who questions the move into easy commercialism displayed in his recent work.